I felt a bit limited by a diatonic instrument and that's one reason I started learning fiddle so that I could play other genres which require a chromatic instrument. But, if you have it all of the time, start at least trying on getting control over this.Try this. I used to have trouble doing it but after practicing I can do it fine. A good exercise to practice is going from 1st octave B to low D back and forth. Some whistles are designed to have the lower notes harder to hit in order to get easier high notes, and some whistles have easy low notes but hard high notes. Most of the tunes in the Ireland's Best don't really click with me but what's cool is finding one now and then that I really like and then focusing on that one. This throws the air current into the state Recorde published several works upon mathematical subjects, vibration required in order to generate sound. including at least some based on reading standard notation.

On the Ireland's Best CD there is more fiddle and less pipes. material and are not required: They were designed both to illustrate ways of applying the. The second reason is on the Tomas O'Canainn book I find the bag pipes with all the ornaments make it very difficult to learn a tune. I'm not a purist here and I'm just playing for fun so I prefer to have good notation. It is a piece of mahogany that spans the 2 air holes. I prefer the latter for two reasons: the notation is pretty accurate, you just have to listen to the CD to hear how it sounds and find out which notes are held out longer, and then you can play it. Note the flat area above the fipple, it has to remain flat to mate up properly with the 'totem.' The totem is the carved decoration that fits over the fipple and directs the air from the air outlet hole to the embouchure. I have both the Tomas O'Canainn book and the Ireland's best slow airs book.

Chiff and fipple least air requirement